"In my work with installations and objects, drawing is an integral and decisive part of the process. I use drawing not only as preparation or a sketch, but also as a way of thinking, investigating, and activating materials and spaces. The drawing often takes the form of line work directly on the objects or in relation to them – lines, rhythms and markings that add life, movement and presence.

I enjoy working intuitively with the line, where drawing becomes a physical and repetitive act rather than a depiction. The lines can function as extensions of the objects’ forms, or as contrasts that give them new meanings. In this way, the drawing becomes part of the installation and contributes towards how the space is experienced and interpreted.

For me, drawing is a way of relating to the world. Making lines, dots and marks on surfaces is a way of thinking through the hand, trying out ideas in real time and letting the process guide me. Drawing is a method, a language and a living element in my practice."